….getting papers ready for my Inspired by Lives and Letters class
Lendon Noe has encouraged us to make some art papers using inks, watercolour paper and tissue to use in future projects. I mixed up my walnut crystals to make walnut coloured ink and I experimented with purple and red ink.
The next step is to cut up these papers into squares and rectangles.
On the white tissue paper I used three different techniques. One was crumpling up the paper and dipping it into ink. Using red ink gives it the appearance of blood (not sure if that was a wise choice). The second technique involved folding the paper multiple times until it couldn’t be folded anymore and then dipping the edges into ink. The last method involved folding the paper like a fan and then running a water soluble ink pen down over the folds. All these techniques involved spraying the paper with some water. Not too much or the paper falls apart.
A week ago today Carla Sonheim asked us to create two colour fields of art using a variety of markers, pens, pencils, stickers, tape and stamps. This is the first part of a two part art lesson. Part 2 is already in my inbox so I thought I’d better get busy and do part 1. No idea where this going but it was fun doing it.
I’m a little behind but I’m sure I’ll make it up in the next couple of days. I’m enamoured with Collage Characters. My latest creation is another bird that I have named Chattering Caruso. Caruso lives in the trees and loves to sing all day long.
I was inspired to do another collage character today. My granddaughter seemed to really like my first one so I decided to try my hand at another one. This time a dog came forward when I started to lay out my random pieces of paper. Then I decided that the dog could be running so I made the ears fly back and the leash would also be sans owner and flying in the wind as well. Here is the process that I went through before committing to my final picture.
For my final draft I added a tongue and some line detail around the eyes.
In Carla Sonheim’s class today we were instructed to take some of our art papers and with our eyes closed cut out random shapes. Then we were to create a character of our choice. We weren’t suppose to have a character in mind when doing the cutting. Instead the character would appear as we tried to arrange some to the shapes.
Gluing the pieces down was the last step in the process. As we created a character Carla recommended taking a photograph of each version and move the pieces around until you came up with a character you liked.
I found one piece of paper that looked like bird legs running so I build my character around that. Here is the process that I went through before gluing my final character in place.
On my final piece I grounded my little roadrunner with a strip of ground and put a cloud over her head. To me she looked like she was running off to a party.
I love art work with pigs. I don’t know why but I’m drawn to pigs. I enjoyed the blind contour drawings of the cows so much that I decided to do some with pigs. Rather than show you all my weird blind contours I’ll show you the rough copy of a pig I did for scraping technique with acrylics.
I found that the scraping technique this time around lost a lot of the detail of the pigs.
With the middle one I went back over some of the lines with a light green marker. I then decided to take a chance with a black micron pen I added some more detail to all three pieces. Should I have left them as they were? What do you think? I know how I feel about it but I wouldn’t mind your input.
In Carla Sonheim’s year-long class we were assigned to draw an object of our choice. The hook is that it had to be a blind contour drawing. No peaking at all. I did that with the first three and for number four I peaked a couple of times.
Then without looking at the drawings or the photo the drawings were taken from we had to draw the objects again on a larger piece of watercolour paper using ink with a dropper or liquid acrylic poured from the bottle (with a small opening). Before the ink or paint dried we were then suppose to lay two more colours of paint across the top of the paper and then scrape it down the page with a credit card.
The first attempt I did on a cold press watercolour paper and I almost lost the image completely. I switched to a smooth hot press paper and the image under the paint was stronger. The black ink on the second painting was overpowering and I much preferred how the red and purple inks turned out. Do you have a favourite?