I’ve done two more painting of the cliffs at Howth and I’m trying to be less rigid and looser in my approach with shapes and lines. I’m not there yet but each painting is slightly different from the first one that I attempted a couple of days ago. I’ll keep trying.
The second assignment with Anita Lehmann was to do a series of landscapes using the same elements we used for our pears. Anita is trying to get us to pull out shapes to create an abstract painting. I chose a photo that I took when I was in Ireland. We took a hike along the cliffs of Howth and I took this photo overlooking the Irish Channel.
Here are my studies:
The following piece was my first motive painting. I realized as I was painting that I was being too finicky and that I needed to be more relaxed and loose. Some of the comments that I received were ‘You have made some great marks – i would try and go more abstract if that’s the direction you want to take in this class. Just a suggestion of rock, grass and sea..’ and ‘Your many studies become wonderful investigation of the next steps in a landscape and perhaps the mood or mark that becomes true to the concepts you wish to convey.
I don’t think I’m quite there yet. I’ve done two more of the same scene that I will share with you tomorrow.
….on Tuesday there were still quite a few leaves left on the trees
Since Tuesday we’ve had high winds and a fair bit of rain. I was sure that most of the leaves would be gone within a day or two but there are surprisingly some very stubborn trees in the neighbourhood that are still showing off some beautiful colours.
Today was another windy, cold and wet day. From my window I could see that there are definitely fewer leaves and there were some serious white caps on the lake.
I’m taking a new course through Carla Sonheim called Translating Landscapes. Our instructor is Anita Lehmann and her first lesson is all about mark making, experimenting with different tools and mediums (ink, pastels, charcoal, pencil) and responding to music. She encourages us to be messy, free and loose. It’s a lot of fun.
Here are my studies of lines using a variety of tools and inks and charcoals.
When I turned on the music I also used pressed pastels and walnut ink along with the black ink, charcoal and pencil.
….day four was another busy day with lots of walking
Today my Andrea, Josie and I headed to Harrods and Hyde Park. We left Kevin at home to rest and agreed to meet up later in the afternoon.
Harrods is probably one of the most famous stores in London. It is not centrally located and is about a mile from Kensington in the area known as Knightsbridge. Knightsbridge is a very exclusive area, one of the wealthiest parts of London where some of London’s most expensive hotels are situated. Needless to say that we didn’t go there to shop but merely to look around. The food hall was most interesting and beautifully set up with gorgeous display cases of chocolates and pastries and the seafood was displayed on mounds of ice in the most attractive way.
While we were there we were told about the Egyptian escalators that were built in 1998 to reflect the Edwardian style of the building. Harrods built the first ever escalator in the UK in 1898. Nervous customers using the contraption were offered brandy when they reached the top to help them recover from their “ordeal”.
From Harrods we walked over to Hyde Park and walked along the Serpentine Lake. People actually swim in this lake along with the local ducks, geese and swans.
The installation art that you see in the lake is from the world famous artist, Christo, who unveiled his work The London Mastaba (2018) earlier in June. It is a 20-metre-high floating sculpture on London’s Serpentine Lake, constructed from 7,506 oil drums.